Friday, December 19, 2008

On the 8th Day of Christmas - Holiday Icicle Earrings

Supplies

2 Olive spacers (humblebeads)

4 olive faceted glass beads

8 raspberry 8/0 seed beads

4 silver 5mm flat spacers

6 silver links

6 silver 6mm jump rings

2 silver 1" eye pins

2 silver 1" headpins

2 silver earwires
1. On the eye pin, string faceted glass, flat silver spacer, olive spacer, raspberry seed bead. Trim wire if need and form loop.


2. On the headpin string raspberry seed bead, silver spacers, olive faceted glass bead. Trim wire and form loop. Attach dangle to silver link.


3. On one jump ring, open and add a raspberry seed bead, add a silver link and close jump ring. Repeat.


4. Open a a jump ring and attach the top dangle and the 3 silver links, close jump ring.


5. Attach dangle to an earwire. Repeat steps 1-5 for other earring.

Thursday, December 18, 2008

On the 7th Day of Christmas: Seven Colors

One of my favorite beads to make are my rainbow spirals. I love the contrasting colors of the rainbow and the why light shines through the transparent colored glass. I'm reminding myself to take things slow and just "be" by adding the single brass charm. Remember to take time out and just "be" during the holidays, it can be so hectic we spend all our time running around and getting things done, sometimes we need to just "be."

This ornament is very easy to create - the waxed linen doesn't need any finishing techniques - just string the materials together and you've got a colorful ornament to put on your tree!





Materials

1 Rainbow Spiral

3 brass yo-yo beads

Waxed linen cord

1 vintage brass flower finding

1 small brass charm

color mix of size 6 or 8 seed beads

Tuesday, December 16, 2008

On the 6th Day of Christmas: Jingle Necklace

This project is designed to use up some of those left over beads. Whatever you have on hand that will match your pendant will work.

Supplies
24 crystals, stones and pearls 4-6mm
3 rondelles 8mm
4 disk beads 10mm (humblebeads)
Jingle pendant (humblebeads)
1 toggle clasp
21 silver 6mm jump rings
21 silver 1" eye pins
2 silver 5mm spacers
15-20 nickel seed beads
Directions
1. On an eye pin string a spacer, disk bead and a spacer. Trim wire to a 1/4", use round nose pliers to form a loop. Attach to the Jingle pendant.

2. Randomly string 1 or 2 beads per eye pin, use the seed beads for an occasional accent. Trim and form loops for all of the links. For a 16" necklace I created 20 links. Arrange the links into the desired order, alternate shapes, sizes and colors for a random pattern. Add more links for a longer necklace.

3. Attach each link with jump rings. Use jump rings to attach the toggle claps.

Designer tip: I used base metal findings for this project, which is a gift for a pre-teen on my list. You can use sterling silver if you prefer to work with precious metals.

Designer Interview with Rosemary Hill

The Art Bead Scene would like to welcome designer and author Rosemary Hill for the blog tour for her new book Elements of Style: Knit & Crochet Jewelry with Wire, Fiber, Felt & Beads.

1. What inspired you to write Elements of Style?

I love jewelry making and needle crafts, and I had just started writing patterns for knitted jewelry pieces when a couple of friends of mine said they were talking to publishers about writing knitting books. I thought to myself "I'd like to do that!" And then I wrote to Interweave really quickly before I could chicken out! I had first thought of doing a wire knitting book, but they wanted it expanded to include fiber and felt. And I am so glad they did, because the fiber section has turned out to be my favorite part of the book!

2. Looking over your website, your business is mainly accessories for scarves. For the book were the jewelry designs ones you've created over the years and variations of those? Or was the creation of the book a great exploration in what kind of jewelry could be created from knitting and crocheting a wide range of materials?

Yes - I started making shawl and scarf pins because I couldn't keep my knitted shawls on! Then I really caught the designing bug, and had some some knitted jewelry patterns published. The book idea came out of my first couple of patterns, when I realized that my aesthetic was different from the other knitted and crocheted jewelry I was seeing. When I design, I imagine wearing the project in many situations. Would I wear it to a business meeting? Would I wear it to a party? With jeans? With a cocktail dress? I wanted to create a body of patterns for pieces that people wouldn't necessarily realize were needlework. I wanted the first impression to be "Wow! That's a cool piece of jewelry!" So with that in mind, I set off on a real exploration of different materials and techniques, and all of the designs were created specifically for the book.

3. You've introduced the bead world to a new material: stainless steel silk yarn. Can you describe this material for my readers and the possibilities it has opened to you as a jewelry designer.

My favorite topic! I love love love the silk/stainless steel! It is amazing stuff: very easy to knit or crochet because it is so fine, but with this amazing sculptural quality. Knitted and crocheted fabric has certain properties: the way the stitches lay and curl, the spaces between stitches.... The Habu yarn is wonderful because of its delicacy and its ability to hold a shape when you pull it into place. The wire portion of the yarn is angel hair gauge, but with the silk to strengthen it, the knitted or crocheted fabric is capable of holding lovely organic waves and ruffles. The Sail Earrings are a great example. They are very simple knitted triangles, but the project takes advantage of the natural curl of knitted material and the ability of the silk/stainless steel to hold a shape. The possibilities are infinite! I have so much of this yarn in my stash that I'm not sure I will ever live long enough to use it all!

4. What advice would you give to beaders who want to include fibers into their jewelry?
First and foremost: be true to your own design aesthetic. Second: don't let what people have done in the past stop you from doing something totally different. Think of creating different textures. Experiment with different types of fiber: silk, linen, hemp, wool, synthetics.... Think of color as it interacts with texture. Then get what catches your eye and experiment!

5. In your jewelry what comes first: the material or the design? Does your jewelry come from sketches or from playing and experimenting with the materials?

Both! My designs with the silk/stainless steel came from playing with the material and asking myself "what would happen if....?" Mostly, though, I'm not a linear designer. Everything tumbles around in my head! When I went about designing the projects in the book, I decided what materials I wanted to use, and then with a set of parameters in mind, I threw everything together in my mind and came up with mental images of the pieces I wanted to do. Then I put them down on paper as quickly as I could! Once in awhile, the materials would behave differently, but mostly, the finished pieces were what I had visualized.
6. What are your influences and inspirations for your jewelry designs?

I've always found this to be the most difficult question to answer! I guess I mostly find inspiration outdoors, but not really directly. I love being outside walking or biking, and when I am, I invariably come back with all sorts of ideas. Other than that, I have always soaked up every sort of visual around me: yarns, beads, metals, stones, shapes, colors, architecture, photography, organic forms, clothing design, cars, bicycles, appliances, you name it! I just love looking at it all.

7. What would we most likely find in your hands: knitting needles, crochet hook or pliers?
Right now, I would have to say pliers! If you had asked me two months ago, it would have been knitting needles. That is what I love so much about what I do; it is never boring, always changing, always interesting.

I want to thank Rosemary and Interweave Press for including the Art Bead Scene on this fun virtual book tour. Here is the schedule for the other blogs on the tour, follow along to learn even more about Rosemary and her book:

Dec. 15: Scout J

Dec. 16: Art Bead Scene

Dec. 17: And She Knits Too!

Dec. 18: Sweater Surgery

Dec. 19: Turtlegirl’s Bloggy Thing

Monday, December 15, 2008

On the 5th Day of Christmas - Holiday Bracelet

Supplies:
8 Jangles Ceramic Pearls
7 Glass 6mm olivine rondelles
14 6mm silver discs
1 silver clasp
beading wire
2 crimps 1mm

Instructions:
1. Crimp one end of the beading wire to one end of the clasp.
2. Start by stringing a ceramic pearl. Follow it with a silver disc, a glass rondelle, a silver disc, and another ceramic pearl. Continue this sequence until the beads are all used.
3. Crimp the remaining side of the clasp to the bracelet and trim excess wire.

Sunday, December 14, 2008

The Holidays are coming to the Desperate Neighbrohood



It's time to decorate the tree in the Desperate Neighborhood! The Desperate Editor hung her fused glass Xmas Texture tree ornament on her tree this week. Let's take a walk around the rest of the Bead Blogging World to see how everyone else is planning for the holidays....

About.com Jewelry Making
Think you don't have time to make any bead and wire holiday ornaments? Think again! Tammy has a super easy project so easy even children can make them.

Art Bead Scene It's the holiday season! Art Bead Scene is getting glitzy. !

Carmi's Art/Life World
Carmi experiments with Claudine Hellmuth's new product line and ends up with another fun necklace!

Carter Seibels for Divali Glass Jewelry
It's beginning to look a lot like Christmas in Carter's studio.

Erin of BeadStyleMag.com
Erin's chosen a few free jewelry how-to's to get you crossing off the names on your shopping list.

Jewelry & Beading
Glass bead artists galore are being featured on Jewelry & Beading!

Naughty Secretary Club
Raid your stash of vintage baubles to make some Floral Fros – jewelry encrusted coifs to make your walls swoon!

Snap out of it, Jean! There's beading to be done!
Jean's in a holiday mood for Soft Flex Company!

Strands of Beads
Melissa shows off a simple winter rose bracelet project this week.

The Writing and Art of Andrew Thornton
Inspired by Chinese creation myths, Andrew creates a Swarovski-encrusted and bead embellished sculpture.


Have you heard any good dirt in the beading world? We'd love for you to share!

Gossiped...errr...reported by Cindy Gimbrone, The Desperate ABS Editor and glass beadmaker.

Saturday, December 13, 2008

Studio Saturday with Jangles

Welcome to Studio Saturday! Each week one of our contributors gives you a sneak peek into their studio, creative process or inspirations. We ask a related question of our readers and hope you'll leave comments! As an incentive we offer a free prize each week to bribe you to use that keyboard. The following week we choose a random winner.

This week's very lucky winner is Arline(abeadlady)! Congratulations! Please send your postal address to the ABS Suggestion Box to receive a fused glass charm by Lynn Davis.

This week we take a peak into the Jangles studio, literally!


Hey, Hey It's studio Saturday and here we are almost two weeks from Christmas. Things are starting to wind down here at the Jangles studio. It's been a busy holiday season here. It also seems to have flown by. I thought this week I would show you my studio in it's crazy holiday state. The whole sha-bang, mess and all. I can guarantee there will be a big clean up at the first of the year. The photo above is what it looked like a few months ago when it was just finished. You'll notice things have changed a bit.

You may have seen my book, Ceramic Bead Jewelry, 30 Fired and Inspired Projects, if you have you might be familiar with the process of ceramic bead making. If not...well you'll get to learn about the process today too. I will show you the stations of my studio in the order that I use them to make a bead.

Here we go...

First is my making table. This is where I form all of my beads.Here on my table you can see all of my cutter's. I make most of them myself.


After the beads are dry they go to the kiln. My kilns are out in the garage. The fumes that the clay lets off when it is heated aren't great to breathe, so that's why they aren't in my house. I have three kilns. We call them mama bear, papa bear, and baby bear.After the beads come out of the kiln, they are glazed. Here is my glaze table. Messy. I know. This room is separate and out of the main house, for the reason of mess. Glazes when dry and loose can make dust that isn't good to breathe. I keep it out of the house as much as I can.

Here are beads waiting to be glazed.

Now the beads go back into the kiln. This time they go on stilts and wires. Since you have already seen a picture of my kilns, here is a picture of all of my kiln furniture. It takes a lot of these bars and wires to get all my beads in the kiln.

Now, if I were making jewelry, the beads would come back inside to my jewelry table and this is where I would assemble it. This might be the messiest part of my studio right now. Yikes, that looks bad!

If I am getting ready for a show or making stock my beads they would go here to my bead table.

If my beads are going in an order then they go back out to the glaze studio. I have my packing table out there.There it is the official Jangles studio tour. I hope you enjoyed it. There's not really an appropriate question to go with my tour today. I have to ask something so you will be able to answer to win a Jangles Pendant. Here we go....

Have your beads taken over your house like mine have? Leave a comment, I would love to hear about your studio.

Happy Holidays,
Jennifer