Inside the Studio - Mary Harding
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Welcome to my studio. These last weeks, I have been busy making toggle clasps on a copper base. Lots of sanding and polishing to do once the image is finished. But I love making these each step of the way.
I was thinking back the other day to when I first began making toggle clasps and realized it has been quite a few years now. My first toggle clasps were made from ceramic clay. I continue to make some that way to this day.
I love how they look and especially enjoy painting on the glazes. Looking at the date this photo below was taken, it is safe to say that I have been making toggle clasps for over 6 years.
The photo of this ceramic toggle clasp by Mary Harding was taken on July 23, 2008.
This picture of a 3 hole toggle clasp/donut pendant by Mary Harding was taken in September 2014.
My metal clasps have evolved a bit since I started making them a couple of years ago.
My metal clasps have evolved a bit since I started making them a couple of years ago.
Double layer toggle clasp with flame patina by Mary Harding
Soldered Butterfly Toggle Clasp by Mary Harding
Now my metal toggle clasps have many more steps before they are completed. Since I love using the torch so much, I take time to think up some new ways of making them. This fall I came up with this combination of metals and textures
Textured Toggle Clasp by Mary Harding
This week I had a new idea for a toggle clasp. It started out this way:
Then I thought it needed to have a smaller middle opening so I wrapped wire around a base and came up with this design which I think has promise
I think that it is important for studio/beading sessions to have some play and experimentation time. For me it usually comes close to the end when I am tired of standing and need a bit of a break. Whether or not this design will go any further is not as important as it is to let go of inhibitions and take chances. Which brings me to my question. How do you play/experiment in your beading/studio sessions?
Leave a comment below and you will automatically be entered to have a chance to win one of my new silver metal toggle clasps. One winner will be randomly chosen next week. I look forward to reading what you have to say.
Thanks so much for stopping by.
Mary
wrapped wire over a base toggle clasp work in progress by Mary Harding
I think that it is important for studio/beading sessions to have some play and experimentation time. For me it usually comes close to the end when I am tired of standing and need a bit of a break. Whether or not this design will go any further is not as important as it is to let go of inhibitions and take chances. Which brings me to my question. How do you play/experiment in your beading/studio sessions?
Leave a comment below and you will automatically be entered to have a chance to win one of my new silver metal toggle clasps. One winner will be randomly chosen next week. I look forward to reading what you have to say.
Thanks so much for stopping by.
Mary
27 comments:
Love the evolution of your work, Mary.
I love your closures. They would add a special touch to any piece they were used on.
LOL - It's all play for me! I hardly ever have a plan for what I'm making.
These are lovely. For me I need to pick a day or afternoon and book it for play time. I need to know its my time to invent and experiment or I feel guilty for not making selling standard work.
I love the last one!
You know how much I love your work, Mary. Your experimentation is inspiring. I've been experimenting with polymer clay lately and trying to "listen" to what the clay wants to become. It's amazing what I create sometimes without really planning it!
By the way the date on your photo of your early ceramic toggle implies you have been at this for 106 years!!!
Though I make 2-3 themed collections a year, I also try and make pieces that are pure experiments. I usually start of with a technique and materials in which its not been done before or vice versa and try and combine them. I doesnt work well right away but I keep tweaking the process until I have made a one of a kind piece that may or may not be commercially viable but I still do it as the process is very educative
I love your toggle clasps.Each little circle is wonderful. but I was especially taken by the new idea, the wire wrapped toggles. I think you have come up with one fine new idea.
I LOVE the look of that wire-wrapped ring! I hope you will finish it off. All these toggles are beauties. I keep thinking of making some but I can settle on what to use as the toggle.
Every single toggle on this page is A.M.A.Z.I.N.G! But...the wire wrapped toggle you are working on is just over flowing with texture and I do so hope you finish it - gorgeous!
I am always experimenting with designs - usually it begins with the shape of the sheet metal, i.e., first a circle, then a square, etc. I am starting to expand on the textures I achieve in the metals nowadays. It doesn't always work, but that's half the fun!
Its very very beautifuk art work. I love it :-) Amazing...............
Tina
http://mariahoffbeck.blogspot.dk/2014/12/2-advents-give-away.html
While I very much like ceramic beads and toggles, I have an absolute love of your metal clasps.
I play with scrap copper sheet and wire trying out new ways to texture and patina them. Polymer clay has crept into my playtime as well.
LOVE the metal toggles! And I agree, letting go and experimenting are important to recharging your creative batteries. I tend to get ideas from other people's work, and will go into the studio, pull some beads and mess around a little, wrap some wire or ribbon around some things, connect some jump rings etc. Usually it amounts to nothing, but sometimes leads to an unexpected creative breakthrough.
Just in awe of the variety of patinas and finishes in both clay and metal! Especially taken with the flamed coppers. You inspire me!
I mostly find myself experimenting freely while doing wirework, I hold a piece of wire and let it guide my hands :-)
Beautiful work, thank you
deb_oro@yahoo.gr
Your toggles are the most beautiful I have seen. They are truly a work o f art!
Gorgeous clasps!
Of course I love your work Mary!
But it's always playtime, but if I am trying something different I just jump in feet first ! It can be a little scary but that's normal and art is not about perfection it's about letting go ! Thank's for the chance to win !
Merry Christmas !!
Your clasps are beautiful. I love your work in progress!! When I want to play, I make something for Free Art Friday because then I have no expectations and don't second guess the whole time. I am slowly nudging myself toward more play/experimentation in all my creating.
You make such pretty components, Mary! To answer your question, I think I need to be more playful... to approach the work table open to the possibilities and without a pre-determined idea of where a creation should go more often. I think the one time that I really approach things with more of a sense of play is when I'm using the Vintaj patinas to paint metals.
Gorgeous work - I can't believe you've been at it for over 100 years ;)
How do I experiment in my beading sessions. Hmm. I don't yet get too crazy with experimenting, but usually it happens when I'm sitting there looking at a bunch of stuff all spread out trying to create something. I usually start with an art bead and build from there.
I really need to start playing more in my studio. I set up place to play with metal but it seems as though every time I schedule playtime an inspiration hits me and I end up making some jewelry. I do have to say that I love your clasps. I have one of your ceramic ones that I have been hoarding.
Thank you all for your wonderful comments!! I love hearing about how you play and let go. And thanks too for letting me know I am not yet 100 years old!! Your enthusiasm and humor are inspiring me!!
Your toggle clasps can change the look of a piece of jewelry and easily become a focal! It is a privilege to own one!
Yes, experimentation and play time (doodling with beads or by carving texture plates/stamps is my favorite thing) is so important -- for so many reasons. As you say, it's a matter of daring to take chances and explore ideas and/or techniques, but it can also be a fab way to get out of a rut or be creative while feeling to distracted to work on a project.
Playing is fun but I do feel like I've forsaken it for too long, especially when it comes to playing with the micro torch as my workspace is too full of stuff to safely get the torch out. Seeing your experiments, which are so in my taste and at least partially my line of work, really inspires me to get back into the studio again and start playing with wire and solder! Thanks for that much needed creative spark!
These are brilliant, Mary!I really love the metal work that you've been doing lately.
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