Showing posts with label metal toggle clasps. Show all posts
Showing posts with label metal toggle clasps. Show all posts

Tuesday, January 6, 2015

Tutorial Tuesday: Tree of Life Layered Bracelet




Hello Art Bead Scene friends! Happy 2015! 

It's Tutorial Tuesday and I'm kicking off the new year with a layered, cuff-like bracelet design.

This design is fun and fabulous for using up short pieces of chain you might have hanging around in your stash.
I chose to use sterling silver and silver filled components in my design but it works well with any choice of metals.


Materials:
size 8 Miyuki glass seed beads - I used my own custom mix in blues
18 - 25 4 mm Lapis rounds
28 - 35 4 mm Czech glass beads - navy blue         
5 - 10   6 mm Czech glass beads - white
3 lengths of sterling silver chain
Variety of sterling silver beads
      1- 2x2 big hole bead
      1- 2x4 big hole bead
      2- 2x2 textured crimp beads
      1 big hole bali bead
      5 bali spacer beads
      3 - 7  4 mm sterling rounds
1 pair of 3 to 1 connector
1 embossed tree of life toggle clasp
9 - 6 mm jump rings

Determine the length of your finished bracelet. Subtract 1.25 in. to account for the toggle clasp and the 3 to 1 connectors. The result is the length of strung beads and/or chain needed in each layer.

Each layer will consist of one section of strung beads and one section of chain connected to a jump ring.


Begin the design by adding one length of chain and one length of stringing wire to a jump ring.


The first length of strung beads will consist of mostly seed beads with a couple of different design elements for interest. 

String on 9 seed beads, 1- 6 mm czech glass bead (to be used a stop bead), 13 seed beads, add one sterling large hole bead over the seed beads, 1-6 mm czech glass bead (to be used as a stop bead).


 The large hole sterling bead will float freely over the seed beads, between the czech beads for interest and movement in the piece.


Add 12 seed beads, 1-4 mm czech glass, 1 sterling spacer, repeat pattern ending with a czech glass bead. Continue stringing seed beads until desired length is reached. I added another czech glass in amongst the seed beads.

Attach the end of the strung beads to a jumpring using a crimp tube and snug up the string. I recommend leaving the crimp bead in an uncrimped state until you've completed all your layers. 


Once the first section is complete layout your design ideas to get an idea of the direction of the piece. When I'm creating a layered piece I aim for variety and an overall balance in placement of the beads. 


To begin the second layer attach a chain and a stringing wire to a jump ring (as in step 1 above).


 String on 12 round lapis beads, 1- 6 mm czech glass ( to be used as a stop bead), 16 seed beads, 1- 6 mm czech glass (to be used as a stop bead), 6 round lapis beads to complete the stringing.

Roughly finish the end of the stringing wire with a crimp bead (as stated in the first layer) and attach this section and a chain to a jump ring.


For the third and final layer in this bracelet we'll begin in the same manner as in step 1 above by attaching the stringing wire and chain to a jump ring.

String on 3 czech glass, 1 sterling tube bead, 1 sterling bali bead, 1 tube bead, 1-4 mm czech glass, 1-6 mm czech glass, 1- 4 mm czech glass, a sterling round, repeat this pattern two more times, 14 - 4 mm czech glass beads, 3 sterling spacer beads and finish to desired length with the czech glass beads.


Finish the end in the same manner as the previous layers by loosely securing the ends.


I'm taking one final look at the overall design. I decided I was happy and went ahead and finished each section by crimping the ends and trimming the stringing wires.


I found a couple of my chain lengths were a bit shorter than I needed them to be. I solved this by adding a jump ring (or two) with a seed bead for fun.


Add each layer to the 3 to 1 connector by opening the jump ring, attaching to the connector and closing the jump ring. Do this for both ends of the bracelet and attach the clasp.


Your bracelet is finished!


I don't even mind if my bracelet flips around. This way I get to show off the tree of life clasp. This design has so many possibilites. I've included materials and instructions for a bracelet which fits my (crazy, small) wrist. You may have to add design elements to create a larger bracelet but it's easy to do. Add a bead here, throw in some beads there and you've got it done.


I created a second bracelet using the same basic design with a slight difference. I used 5 to 1 connectors and I had a couple very small lengths of chain that I connected by adding a section of wire wrapped beads to the middle of the chain.

Enjoy!

Ema Kilroy is a lampworker and metalsmith living and working in Central Massachusetts. 

Friday, December 5, 2014

Inside the Studio with Mary Harding

Inside the Studio - Mary Harding

Each week one of our contributors gives you a sneak peek into their studio, creative process or inspirations. We ask a related question of our readers and hope you'll leave comments! As an incentive we offer a free prize each week to bribe you to use that keyboard. The following week we choose a random winner.

Congratulations Leilani
You have won a $25 gift certificate from Humblebeads Etsy Shop
Please send Heather an email with your information.
______________________________________________________________________________________________

Welcome to my studio.  These last weeks, I have been busy making toggle clasps on a copper base.  Lots of sanding and polishing to do once the image is finished.  But I love making these each step of the way.  
                               Metal soldered stamped toggle clasps by Mary Harding  some now in my Etsy Shop


I was thinking back the other day to when I first began making toggle clasps and realized it has been quite a few years now.  My first toggle clasps were made from ceramic clay.  I continue to make some that way to this day.
I love how they look and especially enjoy painting on the glazes.  Looking at the date this photo below was taken, it is safe to say that I have been making toggle clasps for over 6 years.
                                 The  photo of this ceramic toggle clasp by Mary Harding was taken on July 23, 2008.



                           This picture of a 3 hole toggle clasp/donut pendant by Mary Harding was taken in September 2014.


My metal clasps have evolved a bit since I started making them a couple of years ago.  

                                            Copper clay toggle clasp by Mary Harding
                                     Flame Patina toggle clasp by Mary Harding

Double layer toggle clasp with flame patina by Mary Harding

Soldered Butterfly Toggle Clasp by Mary Harding


Now my metal toggle clasps have many more steps before they are completed.  Since I love using the torch so much, I take time to think up some new ways of making them.  This fall I came up with this combination of metals and textures

Textured Toggle Clasp by Mary Harding



This week I had a new idea for a toggle clasp.  It started out this way:

                                                     Wrapped wire and solder toggle clasp work in progress  by Mary Harding


Then I thought it needed to have a smaller middle opening so I wrapped wire around a base and came up with this design which I think has promise
wrapped wire over a base toggle clasp work in progress by Mary Harding

I think that it is important for studio/beading sessions to have some play and experimentation time. For me it usually comes close to the end when I am tired of standing and need a bit of a break. Whether or not this design will go any further is not as important as it is to let go of inhibitions and take chances.  Which brings me to my question.  How do you play/experiment in your beading/studio sessions?

Leave a comment below and you will automatically be entered to have a chance  to win one of my new silver metal toggle clasps.  One winner will be randomly chosen next week. I look forward to reading what you have to say.

Thanks so much for stopping by.
Mary