Wednesday, March 20, 2013

Bead Cruise Highlights - Design Contest Show & Tell

One of the things I've come to love about Bead Cruise is the Farewell Party. That might sound odd. Why in the world would I love saying goodbye? Really, I don't love that part. What I love is the Design Contest and Show & Tell that happens!

On the first night of the cruise, at the welcome party, cruisers are given a swag bag chock full of beady goodness. Along with the delightful treats, they are given instructions for competing in the Bead Cruise Design Contest. It is totally optional, and totally fun! Behind the scenes, locked away in their cabins, through out the week, students create original jewelry that contains at least 3 items from the gift bag. On the last night of sailing, students and instructors gather together for the farewell party and we finally get to see what each person has been secretly creating.



Above shows a sampling of some of the pieces submitted in the 2013 Bead Cruise Design Contest. 


With each piece laid out for browsing, students and instructors get to vote for their favorites in each of 3 categories: Most Intense, Sweet & Simple, and Cruise Favorite. Winners are announced, prizes are won, and ideas for next year's entry are undoubtedly stewing. 

This year's cruise had another event at the farewell party that wasn't to be missed, Show & Tell. Students brought some of the pieces they created in class to show off to the group. This was by far my favorite part of the night! I loved seeing what students had been creating in the other classes!! And OH! what awesome things they were!!



Students and instructors view the Show & Tell table above with a sampling of student work in the image below. 

If you would like more information on how you can set sail with Bead Cruise 2014, be sure to join the Bead Cruise Mailing List for updates.

Tuesday, March 19, 2013

Bead Cruise Gift Bag Winner

Here are some lovely coral branches from Nina Designs and starfish from Humblebeads.  Do they make you want to run away to a tropical island?  I could use another week in the sand and surf!

So, I have a winner of that fab gift bag from the Bead Cruise sponsors and I know you are anxiously waiting!   Drum roll please...


Congratulations to Beti Horvath!  

She was randomly chosen from all our entries.  Thanks to everyone who joined in the fun. 

Stop by tomorrow, Kerry Bogert will be sharing more cruise reviews with our design contest entries using these awesome art beads.  If you're thinking you need to sign up for the next Bead Cruise, be sure to stop by our website and join the mailing list.  Details for 2014 will be released soon. 

Art Bead Palette :: ChelleV2

Spring handmade stoneware beads by ChelleV2

Aqua stoneware ceramic buttons by ChelleV2

Handmade stoneware ceramic beads by ChelleV2

Berry stained stoneware ceramic beads by ChelleV2

Handmade stoneware ceramic beads by ChelleV2

Rustic Hyacinth handmade stoneware ceramic beads by ChelleV2


We're inches away from spring here in the Northern hemisphere, and I for one can't wait. But this in between time is beautiful, too, so I went looking for shops this month that could carry us from one season to the next. And I believe I found it in Chelle V2.

Ohio-based artist Michelle Johnston uses enamels and ceramic glazes in her beads, and I think they are just lovely. With their organic shapes and natural-with-a-twist color schemes, they're beautiful to me. The pop of color here are and there are so fun, don't you think? Which one's your favorite?

To see more, visit Michelle's shop.

Sunday, March 17, 2013

Show Me Sunday - Flower Beads with Rebecca Anderson


Happy Sunday Art Bead Scene-ers, how's your week been? I hope you're all finding lots of bead down time. As you read this, I am not in my usual location of Manchester, England, but am instead in Milan, Italy! My partner is at a work conference here, and I have come along for the ride. Very exciting! I'll be looking out for bead shops, of course. 

We got some really gorgeous shares this week - thank you ladies! First up is Hazel of Continuum Designs, who showed us her pretty Lakeside bead set:

Hazel always makes such pretty and feminine designs - take a minute to look through her shop, it really is worth a visit.

Tiffany of In Love With Saturday has a whole load of flower-inspired beads in her shop. Take a minute to peel at her shop too if you are able, there were so many pretties that she shared in the comments last week - thank you Tiffany! My favourite was this blossom tree focal:


I just love the colours that Tiffany has used here.

And last but by no means least, Mary Harding shared a beautiful copper flower, which has sadly for us but not for somebody, sold out now. 

 Lovely, Mary! Really unusual and what a gorgeous patina. 

I took a peek through Mary's shop and couldn't resist sharing this lovely pendant as well - this one is still available, as I type at any rate! I love the vibrant and joyful colour scheme here.

This week has been a bit of a scramble, preparing to go on holiday, get all my normal work done, plus I managed to have nine magazine projects to write up before I left on the 15th! Phew. So you will have to forgive me and forgo the usual treasury. I promise to create an really cracking one for next week! Leave me your links and I will share your flower art beads here next week. 

Have a good week ABS-ers!

Add some luck of the Irish to your jewelry collection with these copper and crystal earrings. 



Pick up some great photo editing tips in a Q + A session with Brandi. 



In celebration of Seed Bead Month, Cyndi shares a project to help you use up some left overs! 



Carmi has a step by step post explaining how to use tissue and resin on an open wire earring component. 



Resin crafts blog has a great post explaining how quick and easy it is to add crystals to clay! 




Did you know that the month of March is also National Craft Month? The Cousin Corporation of America does, and check out what they have to offer us just for the fun of it! 

Rebecca is a Scottish jewellery designer, currently living in Manchester, England. You can read more about her and her work at her blog, songbeads.blogspot.com and see more of her jewellery at songbead.etsy.com. She also has a supplies shop at thecuriousbeadshop.etsy.com.

Friday, March 15, 2013

Beadmaker Interview: Carol Dekle-Foss of Terra Rustica Design


Today I am happy to introduce to you Carol Dekle-Foss of Terra Rustica Design. 

I first found Carol through a blog post that she did about a display. I was quickly captivated by the etched stones that she created and was fascinated to learn about the in depth process that she has pioneered to create these intricate designs. I have learned that she is branching out into other areas and I can't wait to see where she takes that! I love Carol's sense of style that is romantic and rustic and earthy. I am also a happy customer...I purchased some of her unique pendants in the fall as a present to myself and a good friend. I am happy to share Carol and her company Terra Rustica Design with you.
1: What is your name, your company name, where are you located. Does your company name have any special meanings? 

My name is Carol Dekle-Foss and my company is Terra Rustica Design, located in Lotus, California.
 

My business name translation from Italian:  
Terra: earth, land, soil, shore, world. 
Rustica
: rustic, rural, countryside. 


Rustic land design, meaning jewelry created with nature in mind and a love and respect of the natural world.

2: What background do you have that lead you to this art medium? How long have you been doing this work?

I have always loved art and expressing it in different ways has been very fulfilling. When I was very young I would study things like leaves, flowers, and trees and pencil draw them. I later graduated with an A.A. degree in interior design and went on to work as a designer for many years. I started Terra Rustica Design in 2011 and taught myself basic jewelry techniques with books and how-to videos. The sandblasting process I learned mostly by trial and error and it was very challenging.  My education in design helps me with my jewelry making process in many different ways.

3: What are your creative inspirations?

I love to be inspired and I find inspiration everywhere. I seek it in art, architecture, music, different cultures and of course the natural world. I attain some of my best design ideas from hikes taken near my home or small trips to different locale here in California.  Also the Art Nouveau style with its use of bold curves and organic forms inspired by nature play a major role in my designs. Of course I am inspired by other designers as well, such as the talented Miss Erin with her ability to take beads and make jewelry that tells a creative story or Miss Heather with her cleverness for bringing nature to life in her designs. (I especially like her woodland beads, her Fantastic Mr. Fox is just adorable!).

{Copper Ore Jasper}
4: What sort of materials do you use? What is your process? Are there special tools that you use?

Stones are very hard substances and wouldn’t you know it, I choose to carve impressions in them.  I use a sandblast cabinet with silicon carbide grit which is a fine black sand substance. You can see process here: http://www.terrarusticadesign.blogspot.com/2012/01/my-amazing-and-crafty-design-process.html. 

Some of the stones I like to use are African green opal, fossil coral, petrified wood, and my recent favorite,copper ore jasper. It has mossy to emerald green colors with rich brown accents. 

{Tree of Life etched and enameled pendant}
 Lately, I have been experimenting with two new techniques and I am having so much fun! Torch fired enamel (inspired by Barbara Lewis) and metal etching.  For the torch-fired enamel I am using mapp gas with a special torch. For etching metal I am using an old car battery with special film purchased from Sherri Haab.  I use a variety of different materials for stringing, whatever inspires me, such as sari silks, African beads, ceramic beads, semi-precious gemstones, and handmade beads.

{Fallen Leaf etched in Tiger's Eye}
5: What is your studio space like?What does a typical day in your studio entail?


My studio is a simple finished two car garage with a large window. I love being able to open the garage door and have a ton of light and fresh air. It’s great when I’m sandblasting or using some chemical that requires ventilation. When I first started my business I wanted a functional workbench that would be the heart of my studio. I roped my husband into helping me build one.  You can read about the laborious process here: http://terrarusticadesign.blogspot.com/2012/08/a-peek-into-my-studio-and-dream.html. In the morning, I find myself doing more computer work like inventory or bookkeeping (okay, Pinterest, too!) than making jewelry. So to get me in the studio, I turn on some upbeat music and make myself a cup of gyokuro green tea to give me energy. When I am in the zone creating I get lost in what I am doing and don’t quit until well after the sun goes down. 

{I am very smitten with Carol's attention to detail in her pretty packaging. It was like opening a very special treasure when I got my pendants!}
6: How do you stay motivated?

To stay motivated I do lots of outdoor activities, exercise, take classes such as the French class I am taking now, and take pictures. I have found photography as another outlet for creativity and also a way to capture my inspiration. There are times when I just have to step back and recharge so I take mini trips to San Francisco, Napa, CarmeI, and Lake Tahoe.  Also every summer my family and I hike to a place called the University Falls. It’s amazing there, huge granite slabs that are turned into nature’s waterpark with three slides. The water is icy cold (snow melt from the Sierras) and the hike is tiring but the adventure provides me nourishment for future endeavors.

7: What new directions do you plan for your business and art in the future?

My goal this year is to have my own free standing website with product lines that I can make when ordered or keep them in stock. So far I have designed my website and added a few products with more to come. I also plan on doing more festivals, getting published in magazines (crossing my fingers) and selling more. Oh, and have fun doing it!

9: Any other information you would care to share with us?
 

I keep chickens, love to garden and hunt for meteorites in my spare time. We had a meteor explode here in Northern California and thousands of meteorites fell in the city where I live. I love gems and rocks so hopefully one day I will be able to include a meteorite to my collection.

Thank you, Miss Carol, for the interview! You have a beautiful and unique collection and we are so happy to have the chance to get to know you better. Please visit Carol and Terra Rustica Design at the following places:



 Carol is offering a special discount code just for the Art Bead Scene readers in her Etsy shop

Use MERCI for a 20% discount. Hurry! Expires on March 31st 2013. 
Keep checking back in her shop for more goodies to pop up!


Thursday, March 14, 2013

Photo Editing Q + A

Two weekends ago was my Studio Saturday post, and in it, I asked a few questions readers could answer to enter a giveaway. There were some really good questions in those comments, I took some time last week to answer them on my blog. I'm reposting those answers here, in case you were one of those who had a question!



Lighting Issues

A few people said that they struggled with lighting when taking photos. Right off, I can tell you that this is something you really want to work at getting it right while you're taking photos versus something you try to fix with editing. Bad lighting is bad lighting, and it's going to show. While there are some things you can do to minimize a few bad spots in Photoshop, you really don't want to rely on trying to "save" it during post-processing. One, because it takes so much more time to edit a photo versus just working on getting good lighting when you're taking it. And two, too much editing can make a photo look very heavily processed, which is probably not what most shop owners are looking for.

There's no one trick when it comes to lighting because everyone's set up is different. I can say that I've tried both an indoor setup and natural light outdoors, and between the two, I like the look of natural light better, but that's personal preference. Here's what I used to with my shop photos: My Photo Formula

If you prefer natural light, you need to pay attention to the light around you and set aside some time to experiment. What's the sunniest room in your house? What time of day do you get a lot of sunshine in that room? Can you shoot close to a big open window? Can you shoot on a patio? Avoid direct sunlight, as that was too harsh a light source. Instead, shoot next to a bright window or outside in the shade versus out in the sun.

If you like shooting indoors, you want to work in a confined space with lots of light. If possible, use a light box that you either buy or construct (there are links on My Photo Formula post), and use two or three daylight light bulbs as your light source.





How do I eliminate shadows I don’t want?

There are a couple ways: photograph out of direct sunlight or bounce light off of a white surface when you’re photographing.


Photographing in the shade or indoors next to a bright window will minimize the harsh glares and shadows you get when you photograph in direct sunlight. To go a step further, prop up a white piece of foam core or poster board directly opposite your light source next to your object. This will allow the light to bounce back onto the object, reducing the shadows. To eliminate them completely, use a secondary light source, like a daylight lamp, in place of the white board.

If neither of those gets you the results you’re  looking for, try adjusting the levels in your photo editing program. If you’re working on a white background, and want a pure white background, I’ve got a Tip Share for that.





How do I make a photograph look more dramatic?

First, get clear about what you mean by dramatic, because that can mean different things depending on the photo.

Are you looking to make the colors pop? Then increase the saturation a little on your photo. Elements users, go up to Enhance > Adjust Color > Adjust Hue/Saturation. Photoshop users, go to Image > Adjustments > Hue/Saturation. Keep in mind that will change your photo permanently, so if you’re looking for a more flexible option you can adjust over and over, use an adjustment layer instead. Go to your Layers Panel and click the circle that’s half black, half white. Then choose Hue/Saturation from that menu to create a layer you can fix over and over. Make sure to move it directly over your photo layer.

Are you looking to change the entire tone of a photo? Then play around with some Photoshop actions. This post gives a quick list of actions I've used.

Are you looking to increase contrast? Elements users can do that by going up to Enhance > Auto Contrast, or Enhance > Adjust Lighting > Brightness/Contrast. Photoshop users, go up to Image > Auto Contrast, or Image > Adjustments > Brightness/Contrast. You can also create adjustment layers for this, too; just follow the steps I outlined above, and choose Brightness/Contrast instead of Hue/Saturation.

If there's something else you're looking to do, I've got a bunch of editing Tip Shares, so browse through if you've got some time.





How do I get crisp, clear photos?

Crisp photos start with a steady hand when you’re taking the photo. If your hands shake a little or if your camera’s heavy, try working with a tripod and an external shutter release. This way, your camera remains flat and stable at all times, reducing any shaking that might create fuzzy photos.

It’s also a good idea to spend some learning the settings on your camera. If you've got a point-and-shoot, read your manual to learn about the different scenes your camera has for you to shoot in. Then, spend time photographing the same thing in different scenes to find which one you like best.

If you've got a DSLR, same goes – learn what the different settings and controls are, and what you can do with them. It’s also a good idea to figure out the basics of ISO, shutter speeds, aperture, white balance, and what different lighting conditions need. If you’re feeling a little confused with these terms or the manual setting on your DSLR, check out this helpful cheat sheet I posted a while back.


Now, regardless of the type of camera you have, there is something you can do to sharpen up your photos in either Photoshop or Elements: the Unsharp Mask. Photoshop users, go to Filters > Sharpen > Unsharp Mask. Elements users, go to Enhance > Unsharp Mask. Make sure Preview button is selected, then play with the Amount toggle – try it at 50% first, then increase or decrease as needed. Once you’re happy, click OK.

You have other editing options, either a Sharpen filter or Adjust Sharpness, but I like the Unsharp Mask best because it’s adjustable and can be really subtle. Couple things to remember: 1) It’s possible to over sharpen, so go slow. 2) Sharpening should be done last, after any other edits or resizing. Otherwise, you’ll have to redo this step. 3) Not every photo really needs this step, and it’s not going to magically fix a blurry photo. All this is going to do is sharpen what’s already in focus.





How do I focus on the parts of my object I want to focus on?

As far as focusing goes, what I said above applies. Read your manual on how to change the focus; most cameras will have an auto feature as well as a few others. You want to choose a focusing setting on your camera that you can remember, like dead center, and use that to line up your shot every time.

Press the release button down halfway to focus, and make sure what you want to focus on matches the highlighted area on your screen (it’s usually a little dot or a box). Keep doing this until what you want in focus is highlighted, then go ahead and press the release button down all the way to take the photo.If you’re looking for more detail, you want to either get close to your object, change your settings, or grab a lens that allows for close-up/macro-type shots.





How can I enlarge a photo without it getting grainy?

Unfortunately, you can’t make photos any bigger than what they are when they come out of your camera.

The thing that’s confusing is that Photoshop and Elements (and other programs, too) allow you to change your image size to whatever you want it to be. This lets people think that they can resize over and over, up and down, without any loss of quality, but unfortunately, that’s just not the case for photographs.


See, a photo is made up of millions of pixels; think of them like microscopic squares. When it comes out of your camera, it’s a set size, like 3888 pixels wide by 2594 pixels high. You can reduce it down to anything smaller, like 600 pixels by 400 pixels, with no real problem. What’s happening when you decrease the size is that those pixels are getting compressed down to fit into that new 600 x 400 pixel size. Some finer details may be lost during the compression, but you wouldn't be able to tell a difference at the smaller size.

But if you try to take that 3888 x 2594 pixel photo and make it bigger by just changing the size, it’s not going to look the way you expect it to. Why not? Because no new information is being added; Photoshop can only work with the original number of pixels in the original size. So, while Photoshop will let you increase any photo beyond the original size, it doesn't mean it’s putting in any new information. Instead, it’s simply stretching out the photo into a bigger shape, and the individual pixels become distorted. That’s the “grain” you see, and why photos can become fuzzy if you try to increase the size.

So, if you’re  looking for a larger size, you need to back to the original photo you took. That’s the biggest size your photo can be without losing quality. Most cameras these days take photos that are fairly large, so you’ll want to either bring that original photo into Photoshop to check how large it is or read your manual.

What you want to remember when it comes to sizing is this: Size down, not up. I always, always leave the original photo intact, and save any edits I make as a separate, new file; actually, I tend to save three copies – the original, the original + edits, and the edits + a new smaller size. This way, I have something to come back to should I need a larger size later.





In addition to my Tip Share page, check out my Tips & Tricks pin board for more photo and editing tips. There’s a bunch of photo-related pins in there, as well as others, that might answer your question. Or if you've got a burning question, leave a comment and I’ll do my best to answer it!